gilles aubry_computer•programming_[1]-[3] volutes 1-3_recorded in berlin 2007_17':23''
annette krebs_electric guitar•mixing desk•tape•objects•radios_[1] untitled III variation extract-live in berlin 2007_15':05''
andrea ermke_mini disk•mising desk_[1] verzegnis [2] berlin_recorded in berlin 2008_19':10''
ignaz schick_ organ pipes•cymbals•objects•violin bows•turntable•looper.electronic treatments_[1]-[4] frost I-IV recorded in berlin and bruxelles 2007/2008_22':13''
very ltd. & numbered edition
hand painted / acryl on cardboard
Cover: 50x14cm/19x5.5in folded to 20x14cm/7.7x5.5in
Andrea Ermke plays individual arrangements of so called "field recordinngs" sounds taken and recorded from a wide range of situations and places - urban space or countryside, noises created by herself as well as such of accidental character.
The 3 pieces by Gilles Aubry (Volutes I-III) are generative compositions for
computer. Each of them is based on the exploration of a different sound
fragment, involving chance operations and feedback systems.
The programming with its imperfections and surprises is presented here in a raw gesture.
The pieces of Annette Krebs are mostly variations of a pre-investigated material. This is divided into different shorter parts. A part/module can consist of a pre-determined sequence of sounds, noise. Depending on the context it's possible to vary these modules more or less strong. It is also possible to organize the material to something completely new within a musical context with others. An important aspect at this is surprise and tension.
Frost by Ignaz Schick is made of drones created with a handful of organ pipes (bugled by mouth). the marocan raita (only the mouthpiece) and bowed turntable notes. The material was contrasted by various harsh object sounds and electronic noise. In general the sounds were looped electronically and layered in various voices, often detuned with different micro-cent ratios.
